artjoli

Project1 ‘Specimen TWK Lausanne’
March2026


This type specimen is based on a typeface I was immediately drawn to, not only because of its visual appearance, but also because of the feeling and meaning behind it.

While developing the project, I created a narrative around the typeface using a tree as a metaphor throughout the specimen. The concept is centered around the idea that evolution requires both change and adaptation.

Typography is never static. It responds to cultural, social, and technological shifts over time. Like typography, a tree is also shaped through constant change and adaptation while still remaining connected to its roots. Through this project, I wanted to explore type as something shaped by time, environment, and transformation rather than something fixed.


Project2 ‘the feeling of spring’
April 2026
A quiet shift in perception happens around this time of year, when the world softens and attention turns to the reawakening of nature. Leaves are dancing in the wind, flowers are blooming, a mix of scents fills the air, and birds are singing, filling the air with a feeling of lightness.
It is a reminder of how much there is to perceive. Nature reveals a sense of awareness within us and all around us.


In this project I focus on nature as it starts to bloom, revealing how it is, in all its simplicity, a source of life and a quiet sense of home, no matter where you are, like your own Eden. You just have to look and see.






Project3 ‘Within’
March2026
Self-perception, an important phenomenon of psychology, is shaped not only by how we perceive ourselves but also by how we are seen by others and how we react to it. The environments we are part of, wether physical or digital, queitly shape our self-perception. It is a constant process, however subtle and often invisible. 
This project aims to explore these different dimensions of self-perception through a cinceptual exhibition calles Within, where the process is translated into visual communication.
The design concept consists of postcards focusing each on one aspect of self-perception, using minimal and structured compositions to make the invisible processes visible.
Inspired by the open structures of Ruth Asawa and Naum Gabo, self-perception is turned into tangible forms. 




Project4 ‘Calendar2026’
November2025
Time often feels abstract, structured, yet constantly moving and difficult to grasp. It shapes our everyday lives. This project explores how time can be made visible through a reduced and structured visual approach.

Through a minimalist calendar design, time is translated into a clear visual system. The layout focuses on clarity and reduction, allowing the grid and simple graphic elements to define the composition. Red symbols introduce a subtle rhythm throughout the year. Repeating every four months, they divide the calendar into three temporal sections and create a quiet structure that guides the viewer through the progression of time.





Project5 ‘Capturing Art’
March2026

Framed by a white wall, the geometric composition and primary colors become the central focus.

The moment reflects how art is often experienced collectively,
how people pause, observe and interpret what they see side by side. Art becomes not only something to look at, but something to experience together, and remember, like living itself.
Through this perspective, the focus shifts to the lower to middle part of the artwork, making the process more visible. The artist explains that the line slowly disappears as the paint runs out, revealing how time vanishes.
This photograph reflects the process behind the artwork.
Each element can be seen as an individual moment, yet
together they become parts of a larger whole.

Art is not only something we look at, it is something we experience. It exists in forms, in details, in the spaces around it, and in the way we move through it. This project explores different ways of observing art and how perception shifts depending on where we focus our attention.

Through a photographic series, these perspectives are captured and translated into visual form. Rather than focusing solely on the artworks themselves, the images reflect how art can unfold an can be perceived.














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